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More bands I've seen live

20 July 2007

My friend Julie has taken up the baton and compiled a list of 100 bands she's seen live, following my post in March. I think you can learn a lot about someone's personality and past from the bands they've seen, and writing my own list brought back many great memories. If you write a list, let me know in the comments and I'll link it here.

I've updated my list today with Sex Pistol Glen Matlock who I saw in Ruislip a few months back and the bands I saw at Live Earth. There are a few new bands that I previously forgot I'd seen as well, including Daniel O'Donnell and Gina G. Can't imagine how they slipped my mind.

Labels: music

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Blast Arena Advance: limited run Nintendo cartridge

12 July 2007

The tricky thing with Nintendo homebrew, is that it can be such a faff getting it up and running. So hurrah for Mathew Carr, who has commissioned 150 GBA cartridges for his Blast Arena Advance game and is selling them at cost, which means about a fiver including postage if you're in the UK.

The game has great presentation and fabulous music, and a simple look and feel. Like the best retro games, there's no pretence at a story line: you're a white square, you have to collect the yellow squares while dodging the debris from explosions (moving dots). The movement is extremely smooth, and the inertia and momentum make the game challenging. Here's a video of it from Youtube:

For a game of this quality, a fiver is a bargain and you're buying an extreme rarity at the same time. I recommend you snap one up, before they all go.

When they sell out, you'll still be able to download the game for free but you'll need to tinker with your homebrew kit to get it working. For plug and play, buying the cartridge is the only way.

Labels: nintendo

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Live Earth: The view from the pitch at Wembley

08 July 2007

Even if many critics weren't, the Earth was on our side yesterday as we stood on the pitch at Wembley to witness the London leg of the Live Earth concerts. We had the finest weather we've seen in weeks.

The show began with the SOS All Stars, including the drummers from Queen, Red Hot Chilli Peppers and Foo Fighters. About thirty drummers beat out various rhythms, initially based loosely on the morse code for SOS, and later including Queen's 'We Will Rock You'. The video screens showed film of an ailing planet, and cute animals looking directly at us, through the lens, to intervene.

Phil Collins is mothballing Genesis after they conclude the current tour, so it was an unexpected treat to get to see them play what is likely to be one of their final dates. The short set had the instrumental 'Behind the lines' and 'Turn it on again' for the old school fans, and Land of Confusion (apt for the day) and Invisible Touch for the new-era fans. Phil Collins was on fine form, and when he sang 'she will fuck up your life' in Invisible Touch, he did it with all the feeling of a man who's recently been divorced.

After seeing Razorlight, I'll be paying more attention to them in future. They rocked the venue and had proper songs to boot. Snow Patrol were entertaining enough, but inessential listening at home. For me, the most striking part of their set was how moved by it all the woman in front of me was. She had goosebumps (no, she wasn't cold), and she was doing the 'oh my God!' thing at the first few notes of every song. It was symptomatic of how some people cope with the physical exhaustion of standing around all day, though, that only a verse after whooping she was texting her friends again as the band played on in front of her. Or perhaps she just had a limited attention span.

David Gray played a short and sweet set (all the sweeter for being short, I imagine), and concluded it with 'Que Sera Sera'. That might be apt for 3pm at our national football ground but is an absurd song to play at an event that wants to stir up a revolution.

The Black Eyed Peas know how to party. I don't have any of their records and only vaguely remember their hit from a couple of years back. But they had fantastic energy, which was welcome after Paolo Nuttini's laid-back set. Will.i.am sang a rap song he had written about the day, which was striking. Although Paolo Nuttini had sung 'What a wonderful world', this was the first real creative statement about the environment to come from the stage.

I don't have a single Duran Duran album, but I've got about 15 of their songs. (One of the great things about iTunes is how it enables you to make virtual albums by playing all the songs by one artist). I'm having an 80s 12" phase at the moment, so I was looking forward to their set. They didn't disappoint. Simon Le Bon's voice was as strong as ever and a set that started with 'Planet Earth' and included 'Ordinary world', 'Notorious' and 'Girls on Film' was perfect. It's easy to see why the band is still packing out arenas when it tours, twenty years on. When they took the stage, Simon Le Bon said: 'Hands up, anyone who didn't arrive today by private jet'. He reached for the sky, along with the crowd on the pitch, a pointed dig at other bands on the bill.

The Red Hot Chilli Peppers were a disappointment. Since I've got several of their albums, I expected to know more of their set and only knew the concluding 'By the way'. The rest of the set was noisy and formless to my ears. Similarly, the Beastie Boys were hard listening. I couldn't make out the words from where I was standing, and even the great 'Intergalactic' was just a bunch of noisy shouting. One of the Beastie Boys' best assets is their wit and that was completely lost yesterday. I hadn't expected to find both bands so much better on record than on stage.

Metallica played both of the songs I know from their catalogue and were game enough to join in when Spinal Tap invited all the bass players in the world onto the stage. Spinal Tap's bizarre lyrics and bad luck with props confused a woman near us, but for anyone who's seen the film, it was a rare treat to see the band live. The songs stood up musically as well. The presentation might have been shambolic and the lyrics deliberately naieve, but the show was mighty fine.

The Pussycat Dolls were well choreographed and half-dressed, which is presumably why they're successful. Foo Fighters played a blinder. They got everyone dancing, perhaps in part because people could see the end of a long day coming and had drunk a fair bit. Dave Grohl dedicated one of his songs to Al Gore.

And then came Madonna. She took a few creative risks: she wrote a new song for the event ('Hey you', which was not as bad as it might have been) and put together a great arrangement of La Isla Bonita with Gogol Bordello. It was pretty special to hear that song live. Her set was a great climax to the whole day, even if she did let herself down by swearing at the crowd, something she doesn't dare to do on the records she wants to sell.

The new Wembley is a good venue. The crowd management was efficient and smooth. They had free drinking water taps and were giving out pint plastics so that you could take your own drinks onto the pitch. Despite some heavy-handed warnings on the ticket (they own the copyright in any photos you take, apparently, which I've never seen before), people were allowed to bring cameras and pretty much anything they wanted except bottles and cans.

So, a great concert. But did it raise awareness of a climate in crisis? Like Live8, they asked people to text in to show their support, but by the end of the concert had only received the equivalent of half the stadium's capacity in responses. For an event that was going live to 2 billion people by TV, that's not much. Perhaps it was because the pledging system was so complex (people texted different words for different pledges) and the number wasn't on screen all day. They might have had more luck if it had been about just one thing - getting governments to listen, for example.

But the whole point is that it's about lots of little things you can do: change lightbulbs (although I don't understand whether I should do that now, or wait until my existing bulbs spark out), use the tube, recycle waste, and so on. During the day, in the short gaps between bands, there were films to explain steps that everyone can take, and art films to warn of the consequences of not doing so. I don't know if these were screened on TV, or whether they just cut to inane chatter instead. I have my suspicions that they might have edited them out.

They had a lot of obscure celebrities come on stage to read an autocue and repeat the message about energy reduction, people like Queenie from Blackadder and Boris Becker. Terence Stamp (who he?) got a particularly cool reception as the last one on stage, after a whole day of this. It would have been better if these people had spoken about what they had done, instead of lecturing us. At least Geri Halliwell spoke about how having a child has changed her perspective and made her think about the future of the planet more.

I'm guessing that the rich (as a rule) pollute more than the rest of us, so it's hard to take lectures from pop stars unless they stand up and say they're changing themselves first. Genesis played in Manchester yesterday night after opening in London, and I doubt they bought a return train ticket (they're in Twickenham today). This month's Mojo magazine says they travel by private plane on tour and that each gig uses enough power for 2,600 homes. I suppose you could argue that more than 2,600 people see the gig and so are not at home. So perhaps gigs that bring people together actually save energy? Or perhaps not.

There were repeated announcements asking people to use the recycling bins provided, but I couldn't see any bins of any kind. There were piles of rubbish on the pitch at the end. If I was a cynical person, I might have thought the announcements were just there for the benefit of TV viewers to show them how green the event was. At one point, some people linked together as many plastic cups as they could to make a snake that stretched over the heads of the crowd. Which just goes to show: if we all work together, we really can achieve anything.

Live Earth has been criticised for its own carbon emissions, but the organisers claim they've worked had to minimise energy use and that proceeds from the concert will be invested in carbon reduction programmes. The first challenge is to get people to notice the problem and take it seriously. Live Earth has, I hope, helped to highlight the climate crisis. Sometimes you have to invest some carbon to save some carbon, and, as was pointed out during the day, the concert was only the start. The event's success will depend on how many people will now change their energy use.

Labels: environment, music

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How the music press works

06 July 2007

According to the NME, Fergie from the Black Eyed Peas has denied reports that she will mention Candie's clothes in song lyrics as part of a sponsorship deal.

The NME says: "It had been suggested she had signed a deal with clothing brand Candie's that would involve her including the fashion line in the lyrics of her songs."

Where had that been suggested? Well, this curiously blank page, for a start, which on Monday 2 July had the headline 'Fergie signs product placement deal' and the RSS subheading 'Black Eyed Peas star Fergie has signed a new deal to promote products in her songs'. It said: "The deal is a first in pop music - rather than namechecking the Top Shop-like brand, Fergie's contract states that she will write songs from scratch that specifically promote Candie's."

And the publisher of that page? The NME.

Is that what qualifies as a correction? Zapping the error-prone post out of history and then publishing a post that talks about 'media reports being wrong', without saying where they started? And to think, I was going to use NME as a credible source for a story I'm writing.

Labels: journalism, music

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Brown's constitutional reforms

04 July 2007

Gordon Brown claims he will introduce reforms to ensure that MPs will in future decide whether the UK goes to war. Will it make any difference? No, because it won't be a free vote and MPs will still be whipped to toe the party line. If he really wanted to ensure that power was shared and MPs were able to do the job they are supposed to, Brown would make votes on war a matter of conscience and declare them constitutionally out of bounds to party whips. Jack Straw is in charge of pushing through legislation, which doesn't inspire confidence. He was foreign secretary at the time of Bliar's invasion of Iraq.

Brown has also confirmed he will perpetuate the anomaly that means Scottish MPs can vote on matters that only affect England, but English MPs cannot vote on matters that only affect Scotland.

It looks like Brown's trying to attract LibDem voters by creating the impression he's transforming the country's political system without actually doing very much at all. Offering Paddy Ashdown a job was a smart way to attract LibDem voters as well. Brown must have known that Ashdown would turn it down, given the detail Ashdown goes into in his published diaries about negotiations with Bliar. But it doesn't matter: it sends a signal that Brown wants LibDems on his team and welcomes LibDem ticks against Labour names in ballot boxes.

Labels: politics

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